Go from 1 to 13, and the bottom numbers go only from 1 to 9, with added 半 and 外. For a whole number hui, you onlt use one number. Use standard hui positions, for reasons we'll come onto soon, so I decided to, as shown in the image above, make the middle and bottom Then, the numbers are added as combinators. Those positions then (not including whole number resonant positions) are:ĥ.6, 6.4, 7, 7.3, 7.6, 7.9, 8.5, 9, 10, 10.8, 12.3, 13.1įor slides (上/下) the main character is the 上/下, which goes on the top position. Of course, this comes with the downside of non-standard positions being disallowed, however,Īt that point might as well add it yourself - or if it's really common and I havent found out about it, make a pull request and I can get it added in. To make about 20something, which is much more managable. Only so many standard hui positions, and so (including all whole numbers on top) I only need Luckily, many positions are not notes, and there's There are 13 hui (徽) positions, each with ten fractions,Īnd if I were to do every single one of them, that'd be 130 glyphs. We however then run into another problem - the hui positions. We thus only need one combining modifier for every component, and only The third line, and so it is recommended to use a healthy line spacing of at least 1.5. The bottom two thirds of the glyph are reserved to for the "main block", whilst the top third is for the finger position. Ascenders are just the long uppy things like on a d and the descenders likewise are long fally things The descender goes, the top line is where the ascender goes. (If your language doesn't do that, then never mind.) The bottom line is where Now, imagine those three-lined workbooks you used to practice your handwriting in. That is, kerning the ligature so that it overlaps with the previous character. The way I solved this, simply put, is by using negative However, I can't beĭoing that for the finger positons, the "relaxed" 散音, and a possible "resonant" 泛音 marker on top. Not ideal but oh well, 7 is quite doable. Have to be indidually made for each string, 7 in total per. Somehow, these five blocks should all be representable without making hundreds and hundreds of different glyph codes.įor the main right hand action, every possible action requires the number to have a different placement - 散 is different from 抹 from 抹勾 - and so these would Optionally, on top you can have a 泛音 indicator, taking the maximum number of components to 5 (since the finger position It consists of a number, the main action,Īnd then either 散 or a finger position. So what I decided on is to break a block into its consitutent parts.įor Jianzipu, the most commonly used block is one to indicate plucking of a string, whether it be 挑、勾、抹 or whatever. It takes enough work to make fonts already,Įven if you can just rip some chinese characters to use as a basis. Trying to make every single possible occurence of a Jianzipu block would be ridiculous, impractical, and simply mad. This would allow normal typing in both English and Chinese toīe uninterrupted, whilst still being able to use Qin ligatures when required. I would have specific marker symbols, such as \ | / -, which wouldīe the start of the ligature, and then a code afterwards to display the Jianzipu character. Is usually used in serif fonts to have clean joins, such as for fi and ffi. Ligatures are when you take a consecutive pattern of characters, and replace them all with one single character. Now, considering that there are 7 strings and 13 hui, with fractions too, and about a dozen different playing techniques, how the hell was No one I know of has ever made a font for it - until of course, now.įor what I've done is made a font, or rather, tacked glyphs onto Noto Sans SC, which allow a user to be able to actually type (the vast majority of) Guqin Jianzipu is usually and always handwritten, and thus can be inconvenient for typing on a computer, and also reading, since it can get very dense and hard to Thus, I won't be going over how it works here. Another resource is peiyouqin, which has all the notation listed out, along with how to follow it,Īll conveniently in the English language. If you want to read more on the history, then Wikipedia's article on Guqin NotationĬan tell you more. Is made up of many different elements, including which string to pluck, which hui to press down, and how to pluck the string, to which hui to The Guqin, or Chinese Zither, has a very specialised and old form of music score, called 减字谱 (Jiǎnzìpǔ), or "reduced character score". Guqin scores May take a while to load Introduction
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